This is the last part of our Q&A series with German Kabirski, interviewed by NYCJW’s editor, Nicholas Hyatt. Today’s topic: the grotesque in jewelry and architecture. |
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Historically, grotesques have played an important part in architecture. These mythical beasts have been carved into stone for millennia, manifesting a power of protection to ward off evil spirits and protect those inside. While German Kabirski’s work is not so much literal as it is expressive in this sense, for me, it harkens back to these |
| sometimes peculiar and creepy figures. Dark, steely, oxidized silver combined with brilliant-coloured gemstones and intricate latticework adorn German’s creations resulting in a masterful balance of dark and light, a true embodiment of the art of the grotesque.
Nicholas Hyatt, NYCJW’s editor. |
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Historically, grotesques have played an important part in architecture. These mythical beasts have been carved into stone for millennia, manifesting a power of protection to ward off evil spirits and protect those inside. While German Kabirski’s work is not so much literal as it is expressive in this sense, for me, it harkens back to these sometimes peculiar and creepy figures. |
| Dark, steely, oxidized silver combined with brilliant-coloured gemstones and intricate latticework adorn German’s creations resulting in a masterful balance of dark and light, a true embodiment of the art of the grotesque.
Nicholas Hyatt, NYCJW’s editor. |
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